Just how many upselling opportunities can one have? Where does it make the most sense? Are there any golden upselling options when offering print products via IPS photography? We’ve compiled a convenient source of information and tested upselling tips for you to find out!
We’ll start with this: your upselling can start taking place before you even get to know your client. In fact, that’s how it already works for most conventional businesses, especially in e-commerce. Why not take a little inspiration from them?
This brings us to our first tip: to use the rule of three.
If you are a photographer who’s happy with openly showing their pricing, i.e., on their portfolio website or social media page, that’s where the upselling can begin. There’s a good chance you’ve already successfully implemented it.
By offering three different shoot budgets, you are nudging your potential client towards picking the “middle” offer, even if they had a lower budget in mind. This can also be considered as your “main” offer. You can, of course, utilize this even if you don’t show your pricing outright, which is what makes the rule of 3 so effective.
The rule also extends into offering photo products. Matching different products and packages into three respective price points will give your clients more options without overwhelming them and gives you an easy way to boost your sales - without so much as a suggestion.
However, your “more literal” upselling will usually take a less rigid approach - where you suggest an available offer if an opportunity arises. Naturally, this will most likely take place during your sales meeting.
This leads us to tip number two: make sure the upsell you are doing is most relevant to your client’s needs, be it by directly addressing a need they have that isn’t fulfilled by the initial offer or by showing what the superseding option would be. Examples include:
An Acrylic Prestige Complete Set would be a perfect fit for a completely topped-out offer.
A corollary lesson to this is that, generally, your upselling will become a lot easier and more natural for returning clients. This is because the probability of selling to an existing customer is much higher than that of a new client, usually estimated at around 60-70%, according to How marketing experts measure performance.
Now, time for our third tip, which can easily work alongside what we just mentioned: Utilize FOMO marketing. The “fear of missing out” is a powerful tool that can be implemented in a completely unnoticeable way during your sales meeting. Examples include:
Even just having extra prints as an option opens your offer up to more upselling.
Moving on - you’ve done the sales meeting, and you’re done with the shoot. Believe it or not, there are more upselling opportunities to come. Your post-shoot thank-you email during the editing process is one. You can attach a mockup of one of the photos you’ve finished editing so far to show your client how it would look in an end product, perhaps even picking out some of the most presentable shots to use for a wall décor mockup.
You’re helping your client visualize it as something they could own. In other words, one last opportunity before getting to the stage of ordering their print products. This isn’t to say that you need to ask them if they want it, but simply having it take a spot in your photography email templates leaves an impact.
So far, this has given us upselling options before, during, and after working with a client. To conclude, let’s establish some ways you can iron all of this out.
As mentioned above, be sure to check in next time, as we’ll be covering cross-selling to add to your pristine sales strategy ;)
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